"Halloween is coming by
See the witches and goblins fly
Oh me. Oh my.
Halloween is coming by"
Neighborhood School, we still love you.
In reality, Halloween is right now - it is today. It should be interesting to see Halloween in Austria. From what I've been told, they don't pay as much attention to the holiday as we Americans do. Still, it will surely be an experience.
Until the many evening events, I along with my housemate buds have been and will continue to perform the usual lazy Sunday morning/afternoon activities.
This blog post could only have been written on a Sunday since I started it about 4 or 5 hours ago.
I can honestly say I have not watched the following in more than 10 years. Takes me back to the simple ol' days.
http://www.youtube.com/watch?v=Bz2Ho62dVr0
Enjoy your Halloween/Hallowien/Hello Vienna!
The Self-Indulgent, Soon-to-be-reminiscent Tales of a Semester in Vienna
Sunday, October 31, 2010
Saturday, October 30, 2010
Mhmm...another concert
It may seem like the only events I participate in here are classical concerts, but I promise that is not true. Today I hiked through the Wienerwald (the Vienna Woods). It was actually the second time I walked through those woods but this most recent excursion was extra enjoyable and real purty. I felt like I was at Bard or my country house during the peakest foliage time possible.
However, I also went to another kararararazzy concert last night. Mr. Beethoven's Pastoral Symphony (how convenient, today was my pastoral day) which was nice but the conductor was way too reserved. But the second half? Mr. Stravinsky's Rite of Spring. That was just right. I was also a bit more comfortable for the Rite than the Pastoral since I stood for the former and sat for the latter.
As I've mentioned in earlier posts, I'm what some may call a "seat-grabber" as in I look for empty seats in the concert hall while standing for the first half and then during intermission, I sit in any empty seat I find. Last night, I searched for two seats together, one for me and one for Chris. The two-seaters didn't' really work out so we were forced to split up. I told him to remain calm and to sit in the 15th row on the left. I scoped out a seat a little closer to the stage, but I worked my magic, cough and all. That reminds me, I've got an awful cough at the moment and that was no different last night. Throughout the Beethoven, I did a pretty decent job of holding my coughs in. The Stravinsky...ehhh.
Apparently, I didn't do too well as the man next to me never stopped taking quick glances at me.
SO HERE WE GO: Daniele Gatti, one of the leading conductors of the day and his Orchestre National de France sat and stood about 20 feet in front of me (a giddy little 20 year old who had never seen the Rite performed before). I won't go into too much description but there was a point about halfway through the Rite of Spring when I needed to cough, I had to, there was nothing I wanted more than to let out a gigantic "KAUGHHHHOIDASDJA." Unfortunately, I was sitting next to Meanie McGee so I knew that I couldn't cough or it'd ruin this guy's night. I kept it in. I may have turned red, I'm not sure. At one point, I couldn't take it - I did the unthinkable -- I took out a cough drop from my pocket. [quick dirty look from MM] My eyes began watering. My fists were clenched. I thought of happy thoughts, or at least, I tried to. I swallowed every second to try and rid myself of this deadly urge. At another point I may have clenched my fists a little too tight because Meanie McGee turned to me and gave my yet another dirty look. I can only wonder, though, what he thought when he saw me clearly in pain, seemingly in tears. Perhaps he thought it was the Stravinsky that moved me so. It surely moved me, but that's not what was causing my tears or the hellish, indescribable pain. Somehow, somehow, I survived and it turns out the Meanie wasn't actually that mean, maybe just a tad socially awkward (he also thought the Stravinsky was awful and the Beethoven was spectacular....idiot) - hey, we all have our boiling points and problems.
http://www.youtube.com/watch?v=Aqpjf65FpV0&feature=related
Here's my entertainment for the evening. Ciao fah now, children and meine elders.
However, I also went to another kararararazzy concert last night. Mr. Beethoven's Pastoral Symphony (how convenient, today was my pastoral day) which was nice but the conductor was way too reserved. But the second half? Mr. Stravinsky's Rite of Spring. That was just right. I was also a bit more comfortable for the Rite than the Pastoral since I stood for the former and sat for the latter.
As I've mentioned in earlier posts, I'm what some may call a "seat-grabber" as in I look for empty seats in the concert hall while standing for the first half and then during intermission, I sit in any empty seat I find. Last night, I searched for two seats together, one for me and one for Chris. The two-seaters didn't' really work out so we were forced to split up. I told him to remain calm and to sit in the 15th row on the left. I scoped out a seat a little closer to the stage, but I worked my magic, cough and all. That reminds me, I've got an awful cough at the moment and that was no different last night. Throughout the Beethoven, I did a pretty decent job of holding my coughs in. The Stravinsky...ehhh.
Apparently, I didn't do too well as the man next to me never stopped taking quick glances at me.
SO HERE WE GO: Daniele Gatti, one of the leading conductors of the day and his Orchestre National de France sat and stood about 20 feet in front of me (a giddy little 20 year old who had never seen the Rite performed before). I won't go into too much description but there was a point about halfway through the Rite of Spring when I needed to cough, I had to, there was nothing I wanted more than to let out a gigantic "KAUGHHHHOIDASDJA." Unfortunately, I was sitting next to Meanie McGee so I knew that I couldn't cough or it'd ruin this guy's night. I kept it in. I may have turned red, I'm not sure. At one point, I couldn't take it - I did the unthinkable -- I took out a cough drop from my pocket. [quick dirty look from MM] My eyes began watering. My fists were clenched. I thought of happy thoughts, or at least, I tried to. I swallowed every second to try and rid myself of this deadly urge. At another point I may have clenched my fists a little too tight because Meanie McGee turned to me and gave my yet another dirty look. I can only wonder, though, what he thought when he saw me clearly in pain, seemingly in tears. Perhaps he thought it was the Stravinsky that moved me so. It surely moved me, but that's not what was causing my tears or the hellish, indescribable pain. Somehow, somehow, I survived and it turns out the Meanie wasn't actually that mean, maybe just a tad socially awkward (he also thought the Stravinsky was awful and the Beethoven was spectacular....idiot) - hey, we all have our boiling points and problems.
http://www.youtube.com/watch?v=Aqpjf65FpV0&feature=related
Here's my entertainment for the evening. Ciao fah now, children and meine elders.
Thursday, October 28, 2010
Yet Another Concert Tale
Two days ago was Austria's Independence Day so the Wiener Philharmoniker put on a concert of Dvorak, Brahms, and the French composer Henri Tomasi. All tickets were sold for 10 Euros so I had to go. Prior to the concert, a friend and I ate a couple nice and awful Falafel sandwiches that could not have been more disgusting. I don't believe there were any fried chickpeas anywhere in the sandwich.
We did make it to the Musikverein though and boy, it was an amazing concert. A few little Brahms diddies, Tomasi's Trombone Concerto and Dvorak's New World Symphony. That Dvorak though was incredible. I watched from the balcony above the orchestra once again except this time I got to see the entire brass section as well as the conductor's many facial expressions and over-the-top body movements. I also heard the conductor make numerous little noises at all the big moments. A little viiipp here and a big schhhhhhwwwwooooop there. I watched the clarinetist play his solos with dazzling precision and beauty. I heard the trumpets blast the unforgettable New World E minor theme. It was jussst great.
There were, however, a few oddities that I got to witness. The first took place before a single note was played. The Vienna Philharmonic tuned and then sat on stage in silence waiting for the conductor to appear. It felt like a minute or more but it may have just been 30 or 40 awkward seconds. The audience got a little uneasy, but Andriss Nelsons soon took the stage and all was good. The second oddity was a little odder. The entire orchestra sat on the stage in silence, this time with the conductor on his podium. It appeared that the principal bassoonist was not in his seat. The second bassoonist tried to get the conductor's attention and tell him not to start without his bassooning partner. I'm not sure if ya'll know Dvorak's 9th Symphony but you'll have to take my word for it, it'll sound weird with only one bassoon. So, the audience, orchestra, conductor, and I waited. We waited for this Vienna Philharmonic principal bassoon player to realize he was supposed to be on stage. Maybe a minute went by, like before it seemed like 10 minutes, but it was probably less than a minute. He finally runs onto the stage with his bassoon, clearly embarrassed, red in the face. Sits down, prepares his reed, clips the bassoon onto his neck strap, and assembles his music. He then turned his head and paused for a moment. WHHOOOPSsSyy DAISZZZZY. The man forgot his freakin' music. The poor, poor conductor was seconds away from starting the masterpiece after the first mishap. Now he was forced to wait some more as the forgetful man scooted off the stage, but not before knocking over a French hornist's music stand. The audience lets out some giggles, some chuckles, some Viennese "huhs?" I remember mouthing the words, "Whaaatt thheee helllll?" I couldn't believe it. This top-of-the-line, creme de la creme professional pulled a 9th grader move in one of the most prestigious concert halls with possibly the best symphony orchestra in the world. After another awkward moment, a moment in which I scanned the entire crowd looking at bewildered face after bewildered face, the now infamous bassoonist returns to the stage with his music in hand. He sits down once again and prepares himself for the Dvorak. It was about as shaky a beginning as can be (non-musically), and yet the orchestra played superbly. On each ticket the words "Konzert für Österreich" are printed. I felt like an Austrian in a Czech world for those 45 minutes. The ovation was, of course, ecstatic and as the principal bassoonist took his bow, he proudly held up his music and smiled.
The night before the concert, my friends and I had a night to remember. A quick summary to save you all some valuable internet time is the following: we met and left with a fellow IES student at our usual crappy bar and left after 10 minutes. We then met a Jamaican trumpet and guitar player on the U-Bahn and invited him to hang out with us. He accepted. So the group consisted of three of my housemates, my RA, his girlfriend, a friend of a friend, an IES friend we just ran into, and a total stranger. We stopped at a nice, quaint bar near our apartment. It was there that our new guitar/trumpet friend told Mr. Schweppe and I something we'll never forget. Turns out this guy was coming from a guitar lesson and his guitar teacher was once in jazz trumpeter Chet Baker's European band. For those who don't know, Chet Baker died in Amsterdam in 1988. His body was found on the ground in front of his hotel. Cocaine and heroin were found in his body. According to our new friend, his guitar teacher was asked to go with Chet Baker on that trip to Amsterdam. This guitarist decided he should kick his drug habit and not go with Chet. If he didn't, he probably would have witnessed Chet Baker take a hit of heroin, turn blue, open the window for some fresh air, then lose his balance and fall out of the window. He didn't commit suicide like many people have speculated. Yep, that's the true story that very few people know, but I'm telling you because you girls, boys, ladies and gentlemen deserve to know. After hearing this crazy story, the group retreated to our apartment for some cheap champagne and french fries. A jam session in our practice room ensued: two trumpets, guitar, and people banging away at the piano. We then headed to a true University of Vienna party with live bands and EVERYTHING. We met our Australian friend there, lost a friend's wallet, found our friend's wallet, moshed in a mosh pit full of Viennese college students, waited on bathroom lines, got a bloody nose, crowd surfed and ultimately, helped a friend carry a mattress found on the street to his apartment. I'd say that's one successful evening.
Till' next time,
Daniel S.R.
We did make it to the Musikverein though and boy, it was an amazing concert. A few little Brahms diddies, Tomasi's Trombone Concerto and Dvorak's New World Symphony. That Dvorak though was incredible. I watched from the balcony above the orchestra once again except this time I got to see the entire brass section as well as the conductor's many facial expressions and over-the-top body movements. I also heard the conductor make numerous little noises at all the big moments. A little viiipp here and a big schhhhhhwwwwooooop there. I watched the clarinetist play his solos with dazzling precision and beauty. I heard the trumpets blast the unforgettable New World E minor theme. It was jussst great.
There were, however, a few oddities that I got to witness. The first took place before a single note was played. The Vienna Philharmonic tuned and then sat on stage in silence waiting for the conductor to appear. It felt like a minute or more but it may have just been 30 or 40 awkward seconds. The audience got a little uneasy, but Andriss Nelsons soon took the stage and all was good. The second oddity was a little odder. The entire orchestra sat on the stage in silence, this time with the conductor on his podium. It appeared that the principal bassoonist was not in his seat. The second bassoonist tried to get the conductor's attention and tell him not to start without his bassooning partner. I'm not sure if ya'll know Dvorak's 9th Symphony but you'll have to take my word for it, it'll sound weird with only one bassoon. So, the audience, orchestra, conductor, and I waited. We waited for this Vienna Philharmonic principal bassoon player to realize he was supposed to be on stage. Maybe a minute went by, like before it seemed like 10 minutes, but it was probably less than a minute. He finally runs onto the stage with his bassoon, clearly embarrassed, red in the face. Sits down, prepares his reed, clips the bassoon onto his neck strap, and assembles his music. He then turned his head and paused for a moment. WHHOOOPSsSyy DAISZZZZY. The man forgot his freakin' music. The poor, poor conductor was seconds away from starting the masterpiece after the first mishap. Now he was forced to wait some more as the forgetful man scooted off the stage, but not before knocking over a French hornist's music stand. The audience lets out some giggles, some chuckles, some Viennese "huhs?" I remember mouthing the words, "Whaaatt thheee helllll?" I couldn't believe it. This top-of-the-line, creme de la creme professional pulled a 9th grader move in one of the most prestigious concert halls with possibly the best symphony orchestra in the world. After another awkward moment, a moment in which I scanned the entire crowd looking at bewildered face after bewildered face, the now infamous bassoonist returns to the stage with his music in hand. He sits down once again and prepares himself for the Dvorak. It was about as shaky a beginning as can be (non-musically), and yet the orchestra played superbly. On each ticket the words "Konzert für Österreich" are printed. I felt like an Austrian in a Czech world for those 45 minutes. The ovation was, of course, ecstatic and as the principal bassoonist took his bow, he proudly held up his music and smiled.
The night before the concert, my friends and I had a night to remember. A quick summary to save you all some valuable internet time is the following: we met and left with a fellow IES student at our usual crappy bar and left after 10 minutes. We then met a Jamaican trumpet and guitar player on the U-Bahn and invited him to hang out with us. He accepted. So the group consisted of three of my housemates, my RA, his girlfriend, a friend of a friend, an IES friend we just ran into, and a total stranger. We stopped at a nice, quaint bar near our apartment. It was there that our new guitar/trumpet friend told Mr. Schweppe and I something we'll never forget. Turns out this guy was coming from a guitar lesson and his guitar teacher was once in jazz trumpeter Chet Baker's European band. For those who don't know, Chet Baker died in Amsterdam in 1988. His body was found on the ground in front of his hotel. Cocaine and heroin were found in his body. According to our new friend, his guitar teacher was asked to go with Chet Baker on that trip to Amsterdam. This guitarist decided he should kick his drug habit and not go with Chet. If he didn't, he probably would have witnessed Chet Baker take a hit of heroin, turn blue, open the window for some fresh air, then lose his balance and fall out of the window. He didn't commit suicide like many people have speculated. Yep, that's the true story that very few people know, but I'm telling you because you girls, boys, ladies and gentlemen deserve to know. After hearing this crazy story, the group retreated to our apartment for some cheap champagne and french fries. A jam session in our practice room ensued: two trumpets, guitar, and people banging away at the piano. We then headed to a true University of Vienna party with live bands and EVERYTHING. We met our Australian friend there, lost a friend's wallet, found our friend's wallet, moshed in a mosh pit full of Viennese college students, waited on bathroom lines, got a bloody nose, crowd surfed and ultimately, helped a friend carry a mattress found on the street to his apartment. I'd say that's one successful evening.
Till' next time,
Daniel S.R.
Friday, October 22, 2010
Two Concerts, One Evening
As ya'll know, there sure is a lot of music in Vienna - so much so that last night, there were four big musical events that I wanted to attend all happening at 7:30pm. What to do when Salome, Bartok's Concerto for Orchestra, a trumpet concerto concert, and a student concert at my "school" conflict with one another...
Well, since trumpet concerto concerts are rare, I decided to go see the 27-year-old Austrian trumpet player play two concertos, one of which has been called the most difficult piece in the trumpet repertory. The young lad with the trumpet wore a ridiculous velvety maroon blazer in the small hall of the Konzerthaus. He played it and the other concerto quite well. A crazy 20th century piece for strings was thrown in between the two trumpet showpieces. The composer of that contemporary piece happened to attend the concert. He got up on stage after it was played and spoke to the intimate crowd and I for a lengthy ten minutes. I believe I would've been giggling and chuckling along with my Austrian audience members if only I understood what the man was saying.
At intermission, I made a quick decision - something I'm not known for. I bolted out of that Konzerthaus to the Musikverein to meet some pals and see Bartok's Concerto for Orchestra for the second time in Vienna.
I arrived not knowing if I'd have to buy a standing room ticket although the concert was almost half over. I watched the end of the first half on a TV screen in the lobby. All I could make out was a percussionist running around the front of the stage. I inferred that it was a somewhat recent Percussion Concerto. At intermission, I grabbed a little Musikverein concert schedule and pretended I was one of the many ticket-holders walking right past the ticket lady. I made it to the standing-room unscathed and found my pals. I considered standing for the 45 minute-long piece that followed, but not for long. I scoped the hall for empty seats. I instructed the pals, "If you don't see me up in the balcony in three minutes, call the police." Nah, I didn't say to call the police but I did say to meet me up there if I give the 'go' symbol. I found some empty seats right next to the magnificent organ. I gave the 'go' sign, they followed. We then experienced the Vienna Radio Symphony Orchestra led by a 30-year old baby (conductor) perform Bartok's magnum opus written in 1943 from up above. That's right, we were theoretically hovering above the orchestra. We managed to upset some people around us once they realized we didn't pay for those seats, in my case, I hadn't paid for any seats or standing-spots, but hey...those seats were going to go to waste. Forget about 'em. Eh?
This leads me to my next point. Having been in Vienna for about two months now, I have realized part of the study abroad experience or traveling in general results in agitating the natives. I'd say I infuriate about five to ten Austrians a day here. Sometimes I'm not exactly sure of the proper U-Bahn-riding etiquette. Perhaps I forget that I have to press a button to open the doors, maybe I'll stand in someone's way and won't realize people are asking me to move...things of that sort. Let me take it to the concert hall. I've been swiping people's unclaimed seats at the Musikverein which clearly irritates those around me, especially when I'm with my IES American friends who don't seem to know how to "fly under the radar" or "use indoor voices." Speaking of "indoor voices," one friend here in specific has a big problem with that practice. On the Straßenbahn (trams) and the U-Bahn, he doesn't seem to understand that commuters don't particularly care to hear an American college student speaking in English about vulgar or just plain dumb things. It is times like these when I pretend I'm not associated with the loudmouth-Sallys. In supermarkets, such as Spar and Billa and such, I prefer using a credit card instead of cash. The only problem with that is that I never know what the credit card swiper machine is telling me to do so within a few seconds a long, disgruntled line of Viennese people-in-a-rush forms behind me.
That's all for now. In a few hours I'm playing Dvorak's New World Symphony for two pianos for a friend's conducting lesson. At the same time, about twenty IES (MUSIC PERFORMANCE WORKSHOP) students get to attend the Vienna Philharmonic's rehearsal of Dvorak's New World Symphony a few blocks away at the Musikverein. If I was in the Music Performance Workshop or if I wasn't playing the piano for a friend, I'd be there. Ugh, IES.
German midterm tomorrow mornin'. Make a Friday evening toast for me if you can. I need all the help I can get to make Frau Schachermeier proud.
Enjoy your weekend,
http://www.youtube.com/watch?v=dG9tuuznL1Y
Dannykins
![]() |
Konzerthaus Wien |
At intermission, I made a quick decision - something I'm not known for. I bolted out of that Konzerthaus to the Musikverein to meet some pals and see Bartok's Concerto for Orchestra for the second time in Vienna.
![]() |
Musikverein |
This leads me to my next point. Having been in Vienna for about two months now, I have realized part of the study abroad experience or traveling in general results in agitating the natives. I'd say I infuriate about five to ten Austrians a day here. Sometimes I'm not exactly sure of the proper U-Bahn-riding etiquette. Perhaps I forget that I have to press a button to open the doors, maybe I'll stand in someone's way and won't realize people are asking me to move...things of that sort. Let me take it to the concert hall. I've been swiping people's unclaimed seats at the Musikverein which clearly irritates those around me, especially when I'm with my IES American friends who don't seem to know how to "fly under the radar" or "use indoor voices." Speaking of "indoor voices," one friend here in specific has a big problem with that practice. On the Straßenbahn (trams) and the U-Bahn, he doesn't seem to understand that commuters don't particularly care to hear an American college student speaking in English about vulgar or just plain dumb things. It is times like these when I pretend I'm not associated with the loudmouth-Sallys. In supermarkets, such as Spar and Billa and such, I prefer using a credit card instead of cash. The only problem with that is that I never know what the credit card swiper machine is telling me to do so within a few seconds a long, disgruntled line of Viennese people-in-a-rush forms behind me.
That's all for now. In a few hours I'm playing Dvorak's New World Symphony for two pianos for a friend's conducting lesson. At the same time, about twenty IES (MUSIC PERFORMANCE WORKSHOP) students get to attend the Vienna Philharmonic's rehearsal of Dvorak's New World Symphony a few blocks away at the Musikverein. If I was in the Music Performance Workshop or if I wasn't playing the piano for a friend, I'd be there. Ugh, IES.
German midterm tomorrow mornin'. Make a Friday evening toast for me if you can. I need all the help I can get to make Frau Schachermeier proud.
Enjoy your weekend,
http://www.youtube.com/watch?v=dG9tuuznL1Y
Dannykins
Wednesday, October 20, 2010
That Ol' Tristan Chord
I was standing in the midst of 150 or so sweaty, cheap Austrians and mainly (pardon my racist French) [Asian] tourists who have a knack for leaving the standing-room in between movements but mein Gott, it was surely worth it. The fateful chord pierced through the many heads and the big pillar in front of my eyes and ears ultimately landing in my beating heart. It then resolved...for a second or two. Then, it went on its merry Wagnerian way. Ah, it was simply wonderful. I said it before and I'll say it again: the Tristan Chord in the Musikverein with the Vienna Philharmonic. Perhaps if Mahler or even Wagner were the man on the podium waving a baton through the air instead of Maestro Franz-Welser Möst - the man who replaced Mahler's Ninth Symphony with Bruckner's Ninth Symphony (the other little diddy on the evening's program) although there is documentation of Möst talking about his love for that very Mahler No. 9. You perplex me, Mr. Möst. You, your Austrian accent, your funny little glasses, your curly gray hair.
Allow me to rewind just a bit: on my way to the above concert, I had a joyous itty-bitty encounter. Before I continue, I should note that whenever I'm out and about in this city I try my best to look like just another Viennese 20-year-old dude, as in I pretend I know the entire city, the expansive language, and the metric system like the back of my right hand. With that in mind, this is what happened, more or less:
Allow me to rewind just a bit: on my way to the above concert, I had a joyous itty-bitty encounter. Before I continue, I should note that whenever I'm out and about in this city I try my best to look like just another Viennese 20-year-old dude, as in I pretend I know the entire city, the expansive language, and the metric system like the back of my right hand. With that in mind, this is what happened, more or less:
YOUNG LADY
Entschuldigung.
[Excuse me.]
DANIEL
Ja...bitte?
[Yeah?]
YOUNG LADY
(impossible to understand German...)
blah blah blah blah blah blah ich möchte naskjdhkaf kasd ja nein sdsnfbashfjklad ---
DANIEL
Uh, es tut mir leid. Ich spreche...kein Deutsch.
[Uh, I'm sorry. I don't speak German.]
YOUNG LADY
Ah, uh okay...danke schön sowieso.....aber weißt Sie wenn dieser Zug fährt zum Museumsquartier?
[Ah thanks anyway.....but do you know if this train goes to Museumsquartier?]
DANIEL
(All I heard was something about Museumsquartier which is a stop on the train that I knew of)
Ah, ja. Uh....ja, ja. Sie....kann die....U-zwei nehmen. Das...ist richtig.
[Ah, yeah....you can take the U2. This is right.]
YOUNG LADY
Ah, danke schön!
DANIEL
Ja...(5 seconds later) bitte.
The point of that little dialogue? Well, I somehow gave a German speaker directions with my teeny weeny grasp of the language.
Also of interest, I have successfully moved to the Ottakring apartment with all the boys. It's quite nice.
Toodle-ooo folks!
Monday, October 18, 2010
Let's go Yankees, Let's GO!
One of the tough things about being away New York City, New York State or even the United States of America is the inability to watch my beloved New York Yankees on a television screen when it matters most, during the fateful postseason. Yes, I could purchase an MLB.tv subscription type thing for 20 buckaroos. I believe that would let me watch each postseason game online, but I also believe I would have to watch them live - something I cannot do while in a country with a time difference of 6 or 7 hours ahead depending on the game being played in New York or Texas, respectively.
Another addition to my predicament is the very fact that for the most part the IES students here, many of which are music majors, are not into baseball, let alone the New York Yankees - I believe only two other students actually come from the city of New York. So, one imagine that I don't get the chance to talk to many people about the latest Yankee news. Well, about thirty minutes ago I was riding the U-Bahn as usual. On the train though, was a man sporting a Yankees jacket. My goodness, eh? I sized the man up and down trying to discern where this man came from. From his long, Austro-German-lookin' face and blond hair, I assumed he was no American. And because of that, I decided to give up on trying to talk to him. That is, until he got off at my station. So, there we were. One definite die-hard Yankee fan and one possible die-hard Yankee fan. We walked up the stairs, one by one like we were supposed to and then, in a quick boost of confidence, I let out a semi-loud, certainly audible "Go Yankees." I got...nothing. Shucks. I tried.
What else is new in Vienna? Well, I am moving. I was going to move on Friday. Then I was going to move today. Now, I believe I am moving tomorrow. We'll just have to wait and see if that happens. I'll be moving from the 6th to 16th district. How bout that?
A few days ago I was reading about Richie V. (Richard Wagner) and I came across something crazy: http://en.wikipedia.org/wiki/Wagnerian_Rock
Who knew? Not I. I think it says a lot about the genre since I've never heard of it and I'd be surprised if any of you have either.
It took me 20 years and a half to sit down and watch Steve Martin in his famous The Jerk role; nevertheless, I loved it. http://www.youtube.com/watch?v=AI8NuFAETMQ
Bernadette Peters even does a swell job of faking the right valves.
Good luck in all your endeavors, guys and dolls.
Chakachaka wing wang chitty chitty bang bang will there be enough,
Daniel
Another addition to my predicament is the very fact that for the most part the IES students here, many of which are music majors, are not into baseball, let alone the New York Yankees - I believe only two other students actually come from the city of New York. So, one imagine that I don't get the chance to talk to many people about the latest Yankee news. Well, about thirty minutes ago I was riding the U-Bahn as usual. On the train though, was a man sporting a Yankees jacket. My goodness, eh? I sized the man up and down trying to discern where this man came from. From his long, Austro-German-lookin' face and blond hair, I assumed he was no American. And because of that, I decided to give up on trying to talk to him. That is, until he got off at my station. So, there we were. One definite die-hard Yankee fan and one possible die-hard Yankee fan. We walked up the stairs, one by one like we were supposed to and then, in a quick boost of confidence, I let out a semi-loud, certainly audible "Go Yankees." I got...nothing. Shucks. I tried.
What else is new in Vienna? Well, I am moving. I was going to move on Friday. Then I was going to move today. Now, I believe I am moving tomorrow. We'll just have to wait and see if that happens. I'll be moving from the 6th to 16th district. How bout that?
A few days ago I was reading about Richie V. (Richard Wagner) and I came across something crazy: http://en.wikipedia.org/wiki/Wagnerian_Rock
Who knew? Not I. I think it says a lot about the genre since I've never heard of it and I'd be surprised if any of you have either.
It took me 20 years and a half to sit down and watch Steve Martin in his famous The Jerk role; nevertheless, I loved it. http://www.youtube.com/watch?v=AI8NuFAETMQ
Bernadette Peters even does a swell job of faking the right valves.
Good luck in all your endeavors, guys and dolls.
Chakachaka wing wang chitty chitty bang bang will there be enough,
Daniel
Sunday, October 10, 2010
Common Sense by Daniel "Thomas Paine" Rutkowski
Hello pumpernickel pals,
Don't accept free apples from strangers in Vienna. Check that, don't accept any free fruit from anyone in Europe.
If you read the earlier post, you may understand what I'm alluding to. For the past several days, I've had some sort of stomach flu and I believe it all stemmed from an apple handed to me by a kind young lady. Don't trust kind young ladies, either. That's right - use common sense. When it comes to my illness though, I'd say I'm 70-80% recovered.
This week should be a crazy one. I may be moving to Ottakring. We shall see.
Hey...how about those Yankees, sweeping the Twins like they did just one year ago. Good for them. Good FOR them.
Take care purring kittens,
All the best,
Yours,
Clark Terry
Don't accept free apples from strangers in Vienna. Check that, don't accept any free fruit from anyone in Europe.
If you read the earlier post, you may understand what I'm alluding to. For the past several days, I've had some sort of stomach flu and I believe it all stemmed from an apple handed to me by a kind young lady. Don't trust kind young ladies, either. That's right - use common sense. When it comes to my illness though, I'd say I'm 70-80% recovered.
This week should be a crazy one. I may be moving to Ottakring. We shall see.
Hey...how about those Yankees, sweeping the Twins like they did just one year ago. Good for them. Good FOR them.
Take care purring kittens,
All the best,
Yours,
Clark Terry
Subscribe to:
Posts (Atom)